Music Production
Music as structured creative practice. I build small systems—constraints, rules, motifs—and let them evolve into emotion. The output can be electronic, acoustic, or hybrid, but the method stays consistent: structure first, meaning emerges later.
Artistic Statement
I treat composition as a system-design problem: define constraints, set the initial conditions, then observe what appears. This approach applies to both synthesis and performance—electronic sessions and piano recordings share the same logic.
My workflow emphasizes capture over polish. I prefer first-take energy, minimal edits, and honest artifacts. Constraints—tempo limits, harmonic boundaries, fixed motifs—are not restrictions; they are the engine that makes decisions meaningful.
The point is not perfection. The point is a documented creative process that parallels how I work in engineering and research: build systems, test assumptions, iterate, and keep what feels true.
Listen Now
Latest Tracks & Collections
Original tracks, series-based experiments, piano sessions, guitar covers, and spoken-word works—published as evolving collections.
Playlists & Releases
A living archive of listening: curated playlists, references, and long-form releases. I treat playlists as a kind of research notebook for sound.
Follow on Spotify →Sessions & Process
Performance clips, studio experiments, and occasional behind-the-scenes documentation of how a piece evolves from a constraint to a finished take.
Visit YouTube Channel →Whisper-Scale Performances
Piano recordings as time-stamped documents: single-take performances that preserve the moment. The goal is interpretive honesty—treating each piece as a dialogue with the composer’s structure rather than a polished studio product.
I’m drawn to music where restraint is expressive: subtle rubato, harmonic ambiguity, and the emotional weight of repetition.
singerdem · Whispers of the Keys
Piano pieces recorded as spontaneous emotional documents—small stories told without editing. Each key becomes a sentence; the silence between notes becomes punctuation.
Sustained Texture Experiments
Ambient sketches built from sustain, decay, and space. Guitar becomes a texture generator: feedback, layered harmonics, and slow transformation rather than conventional phrasing.
singerdem · Telden Düşen Ezgiler
Familiar melodies, re-voiced through the warmth of guitar. The goal is not replication, but reinterpretation—reviving the emotional memory of a song with a different texture.
Production Process
Constraint-Based Composition
I begin with boundaries: a single scale, a fixed tempo, a short loop, one sound palette. Constraints transform creativity into decision-making—forcing a piece to reveal what it actually wants to be.
First-Take Philosophy
Minimal post-production. The take is the artifact. Imperfections are not removed; they are part of the document. The focus is capture, not correction.
Reference Points
Systems and atmosphere (Eno), repetition as meaning (Reich), time and silence (Feldman), emotional precision (Chopin), and harmonic ambiguity (Debussy).